I want to show you all the versions of myself
Jan. 18th, 2026 10:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
sovayTonight after my second and last panel of the convention, I was told by one audience member that they would listen to me read the phone book because even under those circumstances they would learn something interesting and Tiny Wittgenstein was definitely confused.
The panels went chaotically well. "Cursed Literature" lived up to its name by losing two panelists before the con even started, but in practice it turned into a freewheeling discussion less of literature in particular than the concepts of hazardous information, the spellmaking of language, and narratives as contagion, which gave me an excuse to boost Emeric Pressburger's The Glass Pearls (1966), An-sky's Jewish Ethnographic Program of 1912–14, and Aramaic incantation bowls plus the inevitable M. R. James. "SFF on Stage" had a supersaturation of panelists mostly from the performing arts and could have gone an extra hour at least as we started with the inherently liminal nature of theater and bounced around through all the ways that the speculative can be invoked on stage through conceits, stagecraft, scoring, nothing but the contract that reality changes because the actor says it does. I went all in on twentieth-century opera and weird technically realist plays and discovered that there has actually not been another production of Jewelle Gomez's Bones & Ash: A Gilda Story since the one I saw with my grandparents in 1996. As always, members of the audience asked such good questions that they should have been on the panels to start.
I have been asked multiple times if I will be around for the last day of Arisia and since I have no further programming the odds are unfortunately good that I will be flat in bed, but at the moment I regret nothing. I saw agenarti! I saw a skygiants! I failed to write down the names of a pair of extraordinarily well-dressed attendees who wanted to talk about Jewish folk magic and were thrilled that I recognized their Babylon 5 tie-in novels! nineweaving and I shared a panel for the first time since virtual 2021! I did not make it back to the dealer's room before it closed and instead sort of keeled over in the disused cosplay repair area with choco_frosh and presently a friend of his who is unlikely to be on DW, since this time around people were giving me their contact information on Instagram and I felt as though I should have business cards printed on papyrus scraps. I had genuinely not been sure how this experiment in professional interaction would go. It is snowing as busily as a real winter in New England and without begrudging a second of this vanishing season, I am looking forward to Readercon.
The panels went chaotically well. "Cursed Literature" lived up to its name by losing two panelists before the con even started, but in practice it turned into a freewheeling discussion less of literature in particular than the concepts of hazardous information, the spellmaking of language, and narratives as contagion, which gave me an excuse to boost Emeric Pressburger's The Glass Pearls (1966), An-sky's Jewish Ethnographic Program of 1912–14, and Aramaic incantation bowls plus the inevitable M. R. James. "SFF on Stage" had a supersaturation of panelists mostly from the performing arts and could have gone an extra hour at least as we started with the inherently liminal nature of theater and bounced around through all the ways that the speculative can be invoked on stage through conceits, stagecraft, scoring, nothing but the contract that reality changes because the actor says it does. I went all in on twentieth-century opera and weird technically realist plays and discovered that there has actually not been another production of Jewelle Gomez's Bones & Ash: A Gilda Story since the one I saw with my grandparents in 1996. As always, members of the audience asked such good questions that they should have been on the panels to start.
I have been asked multiple times if I will be around for the last day of Arisia and since I have no further programming the odds are unfortunately good that I will be flat in bed, but at the moment I regret nothing. I saw a
genarti! I saw a skygiants! I failed to write down the names of a pair of extraordinarily well-dressed attendees who wanted to talk about Jewish folk magic and were thrilled that I recognized their Babylon 5 tie-in novels! nineweaving and I shared a panel for the first time since virtual 2021! I did not make it back to the dealer's room before it closed and instead sort of keeled over in the disused cosplay repair area with choco_frosh and presently a friend of his who is unlikely to be on DW, since this time around people were giving me their contact information on Instagram and I felt as though I should have business cards printed on papyrus scraps. I had genuinely not been sure how this experiment in professional interaction would go. It is snowing as busily as a real winter in New England and without begrudging a second of this vanishing season, I am looking forward to Readercon.
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